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The following excerpts were recorded in concert, 2004-2011.

In dulci jubilo / Johann Sebastian Bach (1685-1750) new!
Christ lag in Todesbanden (Cantata BWV 4) / J.S. Bach
Den Tod niemand zwingen kunnt (Cantata BWV 4) / J.S. Bach
Wir essen und leben wohl (Cantata BWV 4) / J.S. Bach
Nachtwache I / Johannes Brahms (1833-1897)
Kyrie eleison from Missa pro defunctis (Requiem) / Antoine Brumel (ca. 1460-ca. 1515)
Gloria from Mass for Four Voices / William Byrd (1543-1623)
In the beginning / Aaron Copland (1900-1990)
Vecheri Tvoyeya tayniya / Aleksandr Tikhonovich Grechaninov (1864-1956)
Innsbruck, ich muss dich lassen / Heinrich Isaac (ca. 1450-1517)
Ave Maria / Josquin des Prez (d. 1521)
De profundis (grand motet) / Michel Richard de Lalande (1657-1726)
Si iniquitates (grand motet) / de Lalande
Sustinuit anima mea (grand motet) / de Lalande
O magnum mysterium / Morten Lauridsen (1943-)
Lo V'Chayil / Elliot Z. Levine
Missa Brevis, K. 194. Gloria / Wolfgang Amadeus Mozart (1756-1791)
In dulci jubilo / Michael Praetorius (1571-1621) new!
The dove descending / Igor Stravinsky (1882-1971)
Sechs Geistliche Lieder: IV, Letzte Bitte / Hugo Wolf (1860-1903)

The video clips below were recorded on Nov. 21, 2010 as part of the Waltham Philharmonic Orchestra Chamber Music Lecture Series 3rd Sundays @ 3. Thank you to Douglas McRay Daniels for providing these videos. Visit the 3rd Sundays @ 3 website to watch the entire concert online!

Os Justi / Anton Bruckner (1824-1896)

Sanctus (excerpt) from Mass for Four Voices / William Byrd (1543-1623)

Agnus Dei from Mass for Four Voices (excerpt) / William Byrd (1543-1623)
Agnus Dei (transcription for choral voices of Adagio for Strings) / Samuel Barber (1910-1981)

soloists are Consort members
accompanists include Mai-Lan Broekman, Hendrik Broekman, Jonathan Friedes,
Janet Haas, Paul Johnson, Scott Ketcham, Carol Lewis, Alice Mroszcyk

recording and audio production by Silken Audio

   
The graphic in the Oriana Consort's logo is the concluding flourish in the signature of Queen Elizabeth I of England, to whom Thomas Morley, in 1601, dedicated his madrigal collection The Triumphes of Oriana.